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MOONSHINE by Bertien van Manen - Signed Photography Book | Vintage Americana & Documentary Photography | Perfect for Collectors and Art Enthusiasts
MOONSHINE by Bertien van Manen - Signed Photography Book | Vintage Americana & Documentary Photography | Perfect for Collectors and Art EnthusiastsMOONSHINE by Bertien van Manen - Signed Photography Book | Vintage Americana & Documentary Photography | Perfect for Collectors and Art EnthusiastsMOONSHINE by Bertien van Manen - Signed Photography Book | Vintage Americana & Documentary Photography | Perfect for Collectors and Art EnthusiastsMOONSHINE by Bertien van Manen - Signed Photography Book | Vintage Americana & Documentary Photography | Perfect for Collectors and Art EnthusiastsMOONSHINE by Bertien van Manen - Signed Photography Book | Vintage Americana & Documentary Photography | Perfect for Collectors and Art EnthusiastsMOONSHINE by Bertien van Manen - Signed Photography Book | Vintage Americana & Documentary Photography | Perfect for Collectors and Art Enthusiasts

MOONSHINE by Bertien van Manen - Signed Photography Book | Vintage Americana & Documentary Photography | Perfect for Collectors and Art Enthusiasts

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Product Description

Bertien van Manen “”1985201330

Spanning almost three decades, Moonshine is a portrait of the American Appalachian folk, a mythologised region populated by ‘moonshiners’. Van Manen’s images are defined by a fierce intimacy with her subject, as the viewer teeters on the edge of the frame, perpetually trespassing on private moments: rollicking children practicing handstands on the couch; a kneeling daughter combing the hair of her grandmother. Van Manen first visited the region in 1985, to the Appalachian areas of Kentucky, Tennessee and West Virginia, returning periodically up until 2013 to visit mining families with whom she lived: the Boggs family with their ten red-haired sons; miners Mavis and Junior. The intergenerational images subtly trace the insidious changes undergone by Appalachia – the slow and steady demise of the mining industry, and the migration of inhabitants from ramshackle wooden cabins to the city, or urban trailer parks. Van Manen intermixes black-and-white images with later colour work – another register of time passing and the inevitability of change.